翻訳と辞書
Words near each other
・ "O" Is for Outlaw
・ "O"-Jung.Ban.Hap.
・ "Ode-to-Napoleon" hexachord
・ "Oh Yeah!" Live
・ "Our Contemporary" regional art exhibition (Leningrad, 1975)
・ "P" Is for Peril
・ "Pimpernel" Smith
・ "Polish death camp" controversy
・ "Pro knigi" ("About books")
・ "Prosopa" Greek Television Awards
・ "Pussy Cats" Starring the Walkmen
・ "Q" Is for Quarry
・ "R" Is for Ricochet
・ "R" The King (2016 film)
・ "Rags" Ragland
・ ! (album)
・ ! (disambiguation)
・ !!
・ !!!
・ !!! (album)
・ !!Destroy-Oh-Boy!!
・ !Action Pact!
・ !Arriba! La Pachanga
・ !Hero
・ !Hero (album)
・ !Kung language
・ !Oka Tokat
・ !PAUS3
・ !T.O.O.H.!
・ !Women Art Revolution


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

John Lilly (writer) : ウィキペディア英語版
John Lyly

John Lyly (Lilly or Lylie; ; c. 1553 or 1554 – November 1606) was an English writer, poet, dramatist, playwright, and politician, best known for his books ''Euphues: The Anatomy of Wit'' (1578) and ''Euphues and His England'' (1580). Lyly's mannered literary style, originating in his first books, is known as ''euphuism''.
==Biography==

John Lyly was born in Kent, England, in 1553/1554, to Peter Lyly (d. 1569) and his wife, Jane Burgh (or Brough), of Burgh Hall in the North Riding of Yorkshire. The first of eight children, he was probably born in Canterbury, where his father was the Registrar for the Archbishop Matthew Parker and where the births of his siblings are recorded between 1562 and 1568. His grandfather was William Lily, the grammarian.〔Hunter, G. K. (2004). ("Lyly, John (1554–1606)" ). ''Oxford Dictionary of National Biography''. Oxford University Press. Retrieved 23 January 2012.〕
According to Anthony Wood, at the age of 16 Lyly became a student at Magdalen College, Oxford, where he earned his bachelor's degree in 1573 and his master's two years later. In 1574 he applied to Lord Burghley for the Queen's letters to admit him as fellow at Magdalen College, but the fellowship was not granted, and Lyly subsequently left the university. He complains about a sentence of rustication apparently passed on him at some time, in his address to the gentlemen scholars of Oxford affixed to the second edition of the first part of ''Euphues'', but nothing more is known about either its date or its cause. Wood said that Lyly never took kindly to the proper studies of the university. "For so it was that his genius being naturally bent to the pleasant paths of poetry (as if Apollo had given to him a wreath of his own bays without snatching or struggling) did in a manner neglect academical studies, yet not so much but that he took the degrees in arts, that of master being compleated 1575."〔Wood, Anthony. (Athenae ''Oxonienses:An exact history of all the writers and bishops who have had their education in the University of Oxford. To which are added the Fasti, or Annals of the said University.'' ) London (1813) 1:676.〕
After he left Oxford, where he had the reputation of "a noted wit", Lyly seems to have attached himself to Lord Burghley. "This noble man", he writes in the ''Glasse for Europe,'' in the second part of ''Euphues'' (1580), "I found so ready being but a straunger to do me good, that neyther I ought to forget him, neyther cease to pray for him, that as he hath the wisdom of Nestor, so he may have the age, that having the policies of Ulysses he may have his honor, worthy to lyve long, by whom so many lyve in quiet, and not unworthy to be advaunced by whose care so many have been preferred." Lyly became the private secretary of Burghley's son-in-law Edward de Vere, 17th Earl of Oxford, himself a playwright to whom the second part of ''Euphues'' is dedicated, and who seems to have acted as patron to most of Lyly's literary associates when they left Oxford for London.〔Dover Wilson, John. John Lyly, Macmillan and Bowes, Cambridge, 1905.〕
Two years later a letter from Lyly to the treasurer, dated July 1582, protests against an accusation of dishonesty which had brought him into trouble with his friend and patron, Edward de Vere, Earl of Oxford, and demands a personal interview in order to clear his name. However, neither from Burghley nor from Queen Elizabeth I did Lyly ever receive any substantial patronage. He began his literary career by the composition of ''Euphues, or the Anatomy of Wit'', which was licensed to Gabriel Cawood in December 1578 and published in the spring of 1579. In the same year he was incorporated M.A. at the University of Cambridge, and possibly saw his hopes of court advancement dashed by the appointment in July of Edmund Tylney to the office of Master of the Revels, a post at which he had been aiming. ''Euphues and his England'' appeared in 1580, and, like the first part of the book, won immediate popularity.
For a time Lyly was the most successful and fashionable of English writers, hailed as the author of "a new English", as a "''raffineur de l'Anglois''"; and, as Edward Blount, the editor of his plays, wrote in 1632, "that beautie in court which could not parley Euphuism was as little regarded as she which nowe there speakes not French". After the publication of ''Euphues'' Lyly seems to have entirely deserted the novel form, which was much imitated (e.g., by Barnabe Rich in his ''Second Tome of the Travels and Adventures of Don Simonides'', 1584), and to have thrown himself almost exclusively into play-writing, probably still with a view to the mastership of revels. His ''Campaspe'' and ''Sapho'' were produced at Court in 1582,〔, The Complete Works of John Lyly. R. W. Bond, 3 Vols. Clarendon Press. ii. p. 230.〕 perhaps through the earl of Oxford's station as Lord High Chamberlain. In total, probably eight Lyly plays were acted before the queen by the Children of the Chapel and especially by the Children of Paul's between the years 1584 and 1591, one or two of them being repeated before a popular audience at the Blackfriars Theatre. Their brisk lively dialogue, classical colour and frequent allusions to persons and events of the day maintained that popularity with the court which ''Euphues'' had won.
Lyly sat in parliament as a member for Hindon in 1580, for Aylesbury in 1593, for Appleby in 1597 and for Aylesbury a second time in 1601. In 1589 Lyly published a tract in the Martin Marprelate controversy, called ''Pappe with an hatchet, alias a figge for my Godsonne; Or Crack me this nut; Or a Countrie Cuffe, etc.'' Though published anonymously, the evidence for his authorship of the tract may be found in Gabriel Harvey's ''Pierce's Supererogation'' (written November 1589, published 1593), in Nashe's ''Have with You to Saffron-Walden'' (1596), and in various allusions in Lyly's own plays.〔See Frederick William Fairholt's ''Dramatic Works of John Lilly'', i. 20.〕
About the same time he probably made his first petition to Queen Elizabeth. The two petitions, transcripts of which are extant among the Harleian manuscripts, are undated, but in the first of them he speaks of having been ten years hanging about the court in hope of preferment, and in the second he extends the period to thirteen years. It may be conjectured with great probability that the ten years date from 1579, when Tylney was appointed Master of the Revels with a tacit understanding that Lyly was to have the next reversion of the post. "I was entertained your Majestie's servaunt by your own gratious favor", he says, "strengthened with condicions that I should ayme all my courses at the Revells (I dare not say with a promise, but with a hopeful Item to the Revercion) for which these ten yeres I have attended with an unwearyed patience". But in 1589 or 1590 the mastership of the revels was as far off as ever—Tylney in fact held the post for thirty-one years.
In the second petition of 1593, Lyly wrote "Thirteen yeres your highnes servant but yet nothing. Twenty friends :hat though they saye they will be sure, I finde them sure to be slowe. A thousand hopes, but all nothing; a hundred promises but yet nothing. Thus casting up the inventory of my friends, hopes, promises and tymes, the summa totalis amounteth to just nothing". What may have been Lyly's subsequent fortunes at court are unknown. Blount says vaguely that Elizabeth "graced and rewarded" him, but of this there is no other evidence. After 1590 his works steadily declined in influence and reputation; he died poor and neglected in the early part of the reign of James I. He was buried in London at St Bartholomew-the-Less on 20 November 1606. He was married, and he had two sons and a daughter.
Although Euphues was Lyly's most popular and influential work in the Elizabethan period, his plays are now admired for their flexible use of dramatic prose and the elegant patterning of their construction. 〔The Oxford Companion to English Literature, 6th Edition. Edited by Margaret Drabble, Oxford University Press, 2000 P618〕
The proverb "All is fair in love and war" has been attributed to Lyly's ''Euphues''.〔(Manser, M, and George Latimer Apperson. ''Wordsworth Dictionary of Proverbs.'' Page 355. 2006. )〕〔(Richard Alan Krieger. Civilization's Quotations: Life's Ideal. Page 49. 2002. )〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「John Lyly」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.